Postcard design specs: bleed, DPI, and safe zones without the jargon
A win-back card fights for a lapsed customer’s attention with about two seconds of glance-time — and print quality decides whether those seconds read as “thoughtful note from a brand I liked” or “junk mail.” Print has exactly three physical rules. Learn them once and every card after prints right.
Resolution: 300 DPI or it prints soft
Screens forgive low-resolution art because they glow; card stock testifies against it. Print wants ~300 dots per inch — 1875×1275 pixels for a 4×6 card’s full artwork (which includes bleed, below). Around 180 DPI is the survival floor for photography; fine text and logos go visibly fuzzy well before that. Since the product photo is usually your card’s best argument — remember this? — its resolution is where quality checks matter most.
Bleed: the sacrificial eighth-inch
Cards are cut from big sheets and every cut drifts slightly. Artwork sized exactly to the 6×4 trim produces white hairlines wherever the blade wanders. The industry fix is bleed: extend backgrounds 0.125″ past the trim on all sides — hence the 6.25×4.25 design canvas. The outer ring exists to be cut off.
Safe zones: edges eat content too
The same drift claims anything close to the edge, so text and logos live at least 0.125″ inside the trim. The back carries the bigger reservation: USPS prints the recipient address, postage and barcode over roughly the right half, and ink there risks delay or rejection. The reliable division of labor: your creativity on the front, a functional back — one line, return address, the QR that carries the offer — with the address zone untouched.
Pre-send checklist for a win-back card
- Landscape, 1875×1275 px (or a print-exported PDF); backgrounds run to the canvas edge.
- Lead visual: something they’ll recognize or something new worth returning for — at honest resolution.
- Copy that greets rather than grovels; the offer visible, the QR doing the logistics.
- No static discount codes in print — advertise the gesture, mint the code at scan.
- Everything meaningful an eighth-inch inside the trim; address zone clear.
- Dark designs: one test card first.
Then let the system enforce it: a tool that measures artwork and refuses files below the floor is protecting your cost per won-back customer — a blurry card costs the same $1.50 as a sharp one and returns a fraction of the customers.
Common questions
›What size artwork does a 4×6 postcard actually need?
Design at 6.25×4.25 inches — the extra quarter inch is bleed that gets trimmed — at 300 DPI, which means 1875×1275 pixels. That single number answers most design-brief questions.
›Can I put my design on both sides?
The front is fully yours. The back must leave the USPS address area clear — roughly the right half — where the recipient address, postage and barcode get printed. Design the front; keep the back functional and let the mailing system own its layout.
›My brand uses dark, rich colors — anything to watch for?
Print runs a touch darker and less saturated than screens, so moody palettes drift toward mud. Lift shadows slightly, keep text contrast strong, and buy one test card before a big send — $1.50 is cheap tuition.